Cultural Influence
Writing implements
Avatar is notable for borrowing extensively from Asian art and mythology to create its fictional universe. The show's character designs are influenced by both American cartoons and anime; the show, however, is not considered an "anime" because of its origination in the United States. Explicitly stated influences include Chinese art and history, Korean clothing and folk tales, Japanese anime, Hinduism, Taoism, Buddhism, and yoga. The production staff employed a cultural consultant, Edwin Zane, to review scripts.
Traditional East Asian calligraphy styles are used for nearly all the writing in the show. For each instance of calligraphy, an appropriate style is used, ranging from seal script (more archaic) to clerical script. The show employs calligrapher Siu-Leung Lee as a consultant and translator.
The choreographed martial art bending moves were profoundly affected by Asian cinema. Western film series such as Star Wars, and literature series such as Harry Potter and The Lord of the Rings, were a heavy influence in developing the story of Avatar. In an interview, the creators revealed that they wanted to tell their own epic "legend & love story."
Traditional East Asian calligraphy styles are used for nearly all the writing in the show. For each instance of calligraphy, an appropriate style is used, ranging from seal script (more archaic) to clerical script. The show employs calligrapher Siu-Leung Lee as a consultant and translator.
The choreographed martial art bending moves were profoundly affected by Asian cinema. Western film series such as Star Wars, and literature series such as Harry Potter and The Lord of the Rings, were a heavy influence in developing the story of Avatar. In an interview, the creators revealed that they wanted to tell their own epic "legend & love story."
Avatar
The term "Avatar" comes from the Sanskrit word Avatāra, which means "descent". In Hinduism, the gods manifest themselves into Avatars to restore balance on earth, usually during a period of great evil. The Chinese characters that appear at the top of the show's title card mean "the divine spiritual medium who has descended upon the mortal world."
When Aang was young, he unknowingly revealed that he was the Avatar when he chose four toys out of thousands, each of which were the childhood toys of the previous Avatars. In Tibetan Buddhism, there is a similar test for reincarnations of a Tulku Lama. In Magic and Mystery in Tibet, Alexandra David-Neel writes that "a number of objects such as rosaries, ritualistic implements, books, tea-cups, etc., are placed together, and the child must pick out those which belonged to the late tulku, thus showing that he recognizes the things which were theirs in their previous life." Each successor is expected to show signs of continuity with the previous Avatar, such as being born within a week of the previous Avatar's death.
Elements
Avatar draws on the four classical elements common to most ancient philosophies (rather than the five classical Chinese elements) for its bending arts: water, earth, fire and air. Although each has its own variation, most ancient philosophies incorporate these four elements in some way: examples include the classical Hindu, Buddhist, Greek and Japanese elemental traditions.
Fighting styles
The fighting choreography of the show draws from martial arts; the fighting styles and weaponry are based on Chinese martial arts, with each bending art corresponding to a certain real-world style. The creators referred to Baguazhang for airbending, Hung Gar for earthbending, Northern Shaolin for firebending, and Tai Chi for waterbending. The only exception to this is Toph, who employs a Chu Gar Southern Praying Mantis style. The series employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association as a martial arts consultant.
The term "Avatar" comes from the Sanskrit word Avatāra, which means "descent". In Hinduism, the gods manifest themselves into Avatars to restore balance on earth, usually during a period of great evil. The Chinese characters that appear at the top of the show's title card mean "the divine spiritual medium who has descended upon the mortal world."
When Aang was young, he unknowingly revealed that he was the Avatar when he chose four toys out of thousands, each of which were the childhood toys of the previous Avatars. In Tibetan Buddhism, there is a similar test for reincarnations of a Tulku Lama. In Magic and Mystery in Tibet, Alexandra David-Neel writes that "a number of objects such as rosaries, ritualistic implements, books, tea-cups, etc., are placed together, and the child must pick out those which belonged to the late tulku, thus showing that he recognizes the things which were theirs in their previous life." Each successor is expected to show signs of continuity with the previous Avatar, such as being born within a week of the previous Avatar's death.
Elements
Avatar draws on the four classical elements common to most ancient philosophies (rather than the five classical Chinese elements) for its bending arts: water, earth, fire and air. Although each has its own variation, most ancient philosophies incorporate these four elements in some way: examples include the classical Hindu, Buddhist, Greek and Japanese elemental traditions.
Fighting styles
The fighting choreography of the show draws from martial arts; the fighting styles and weaponry are based on Chinese martial arts, with each bending art corresponding to a certain real-world style. The creators referred to Baguazhang for airbending, Hung Gar for earthbending, Northern Shaolin for firebending, and Tai Chi for waterbending. The only exception to this is Toph, who employs a Chu Gar Southern Praying Mantis style. The series employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association as a martial arts consultant.